“Sexmission 1984” is a sci-fi comedy about two men who are cryogenically frozen and wake up in a future world where women dominate and men are extinct. They must adapt to this new world and fight for their survival while also trying to find a way back to their own time. The film uses humor and satire to comment on gender roles and societal power structures, creating a clever and entertaining commentary on the human condition.

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Review
Sexmission: The Polish Classic That Blazed a Trail for Women in Cinema
Sexmission, a cult classic of Polish cinema, is often overlooked when discussing groundbreaking cinema. But those who have seen it can attest to its revolutionary approach to feminist themes and its uniquely satirical tone.
Released in 1984, Sexmission stars Jerzy Stuhr and Olgierd Łukaszewicz as two men who volunteer to be part of an experimental hibernation program that goes terribly awry. They wake up in the year 2044 to find that women have taken over the world and men are extinct. They’re forced to navigate this new reality while also dealing with their own personal biases.
The film’s plot may sound like science fiction, but it uses that genre as a way to explore gender politics and question traditional notions of masculinity. Director Juliusz Machulski manages to balance humor with meaningful commentary in a way that’s both entertaining and thought-provoking.
From its opening scenes, Sexmission makes clear that it’s not your average sci-fi movie. The protagonist Maks (Stuhr) is introduced as a bumbling mechanical engineer who can’t seem to get anything right. He’s contrasted with his colleague Albert (Łukaszewicz), who is handsome, confident, and self-assured.
But when the program goes wrong and they wake up in the future, those roles are flipped. Maks finds himself at a disadvantage in this new world where women hold all the power, while Albert struggles to adapt due to his deep-seated misogyny.
The film tackles issues of gender inequality head-on, but it manages to do so without feeling preachy or heavy-handed. Machulski’s satirical approach keeps things light while making serious points about social dynamics.
One notable aspect of Sexmission is its reliance on female characters. In many films of this type, women are relegated to secondary roles or are only present as objects of desire. But in Sexmission, the women are the ones driving the plot forward, and they’re portrayed as complex and fully-formed characters.
Two standout performances come from Dorota Stalińska and Beata Tyszkiewicz, who play two of the leaders of the new world order. They’re authoritative, intelligent, and capable, but they’re also human beings with their own vulnerabilities and flaws.
It’s worth noting that Sexmission was made during a time when Poland was still under communist rule. The film’s themes of rebellion and upending established power structures could be seen as a reflection of that political climate.
But even beyond its historical context, Sexmission is a film that stands on its own. It’s funny, insightful, and ahead of its time in terms of its portrayal of women. It’s no wonder that it’s become a cult classic over the years.
In terms of accolades, Sexmission has received recognition both domestically and internationally. At the Polish Film Festival in Gdynia in 1984 – where it premiered – it won Best Cinematography (Piotr Sobociński Sr.) and Best Production Design (Allan Starski). It was also nominated for Best Film at that festival.
Internationally, Sexmission won the Jury Prize at the 1985 Fantasporto film festival in Portugal. It received positive reviews from critics around the world who appreciated its fresh take on familiar sci-fi tropes.
Looking back today, it’s clear that Sexmission was ahead of its time in many ways. It anticipated modern feminist movements by decades with its progressive ideas about gender roles and social norms.
It also paved the way for future female filmmakers by showcasing how powerful women can be both on- and off-screen. Though it may not have received widespread acclaim upon release, it has since become a beloved classic for viewers who appreciate its unique blend of humor, sci-fi, and political commentary.
If you haven’t seen Sexmission yet, now is the time to give it a chance. It’s a film that will make you laugh while also challenging your assumptions about gender and power. It’s a true gem of cinema, and one that deserves to be more widely recognized.
Technical Data

- Release : 1984-05-13
- Runtime : 117
- Genre : Science Fiction, Adventure, Comedy
- Cast : Olgierd Łukaszewicz as Albert Starski, Jerzy Stuhr as Maks Paradys, Bożena Stryjkówna as Lamia, Bogusława Pawelec as Emma, Hanna Stankówna as Tekla
- Crew : Wiesława Chojkowska as Set Decoration, Pavel Hajný as Co-Writer, Jerzy Łukaszewicz as Director of Photography, Henryk Kuźniak as Original Music Composer, Juliusz Machulski as Screenplay
- Revenue : 0
- Budget : 0
- Company : Zespół Filmowy “Kadr”
- Popularity : 10.99
- Summary : Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.
- Tagline : The two last men against a female world.